Showing posts with label musical. Show all posts
Showing posts with label musical. Show all posts

Thursday, March 20, 2014

Audiovisual Pleasures when Traveling

Earlier this week I was travelling to and back from Prague, not on a plane, nor by car, neither by train. And exactly because of that, I was the blessing that is called free time immobilised. Why is that, you will ask. Let me explain: the aforementioned ways of travelling no matter how different they are, have one similar result: keeping us busy. Not sure if it applies to others, but for me taking the plane means a lot of organisation and serious item selection and separation (liquids here, heavy stuff there, fragile goods where?), which brings along stress, just like the never-ending controls, check-ins and so on so forth. Little time to rest and be peaceful/ready to concentrate on something other than the trip per se. Travelling by car implies company, and your company wants to converse, wants you to be a good dj and stuff, occasionally he even wants you to drive a little bit so that he gets some rest (what the fuck). No free time for extracurricular activities there. Train comes handy, cause it surely gives more time for contemplation; the voyage is normally long, but the landscape distracting, just like the various stops on the way. You cannot help listening to the bizarre names of the stops in between, noticing new passengers coming in or going out, staring at interesting strangers if not the strangely-shaped trees that for the fraction of a second collate with the horizon and little time is left for you to read or write, let alone watch a movie. Because, this is what I'm talking about: the impossible deed of watching a movie on the move.

But, yes, earlier this week I made it. I opted for a bus from Luxembourg to Prague, and, what a joy, I was left exhausted in my not-so-comfortable seat, ready to endure a ten-hour-trip armed with unusually quiet co-travellers and a small screen stuck on the back of the seat in front me. A vast (sic) choice of films and TV series awaited me. I finally had the time to fill my gaps when it comes to recent and not-so-recent cinematic releases. On the way to the exceptionally gothic Czech capital I watched Argo (2012), the oh-so-acclaimed film I once scoffed on the basis of its fame -sometimes too much praise gets on my nerves, you know- only to realise that it is a good film indeed. I love to find out that I was wrong; I enjoyed a messy and long-haired Ben Affleck, full of poise and secret agent allure, as much as I found the atmosphere in '79 Teheran intimidating and threatening, even a bit exaggerated so (been in Teheran ten years ago, the early years' roughness had worn off, but, oh well, it is an "unfree" place to a certain extent).

Saturday, January 25, 2014

West Side Story (1961)

I practically never comment on musicals (this doesn't mean I don't watch them), but today I felt like revisiting the emblematic West Side Story, as seen by Jerome Robbins and Robert Wise. They had a great soundtrack to work with, as well as a great cast, including Natalie Wood on the principal role of Maria, and then of course Rita Moreno and George Chakiris (son of Greek immigrants), who both won an Oscar for Best Supporting Actor.

The sole reason I go crazy over watching clips on YouTube and sobbing all afternoon is my recent viewing of West Side Story at the Grand Theatre in Luxembourg. All in all not a bad production; I like the costumes, the dancing and choreographies. The cast was oh-so-vigorous and Maria and Tony were good in singing. But, singing, acting and dancing all at the same time is not an easy thing, this is taken for granted; no one to blame, it's just the way it is. No matter how moving the show was, for its charm and tearful storyline, the orchestra could not keep the burden of the excellent Sondheim lyrics and Bernstein score on its shoulder. It would need better chorale and individual singing to uplift our ears, but that will be for next time.

Thirsty for the real thing, I start to appreciate the singing in the film version of the West Side Story, where, in fact, the singing voices do not belong to the actors on screen. Jimmy Bryant is the singing voice for Tony, Marni Nixon is Maria, Betty Wand is Anita and so on so forth (I have to thank them for making the film experience complete). A mix of frank and sensitive music and lyrics -my favourites songs are definitely Maria and Tonight-, but also playful and ironic songs like America and Officer Krupke make this film truly enjoyable (even if I heard that some people find it a tad too long and occasionally boring). The set, the colours, everything is pleasant, just to leave us with a bitter feeling for the lost romance.